24.08.2026 17:02Author: Sofia Lysenko
Why the gallery did not use glass
The works are shown without vitrines or glass — a decision that required a separate arrangement with the insurer.
READ FULL STORY →Exhibition news · Textile Landscapes
24.08.2026 17:02Why the gallery did not use glass
The works are shown without vitrines or glass — a decision that required a separate arrangement with the insurer.
Read moreAuthor: Sofia Lysenko
24.08.2026 17:02The reverse side, shown on purpose
Two works hang away from the wall so the back can be walked around and seen.
Read moreAuthor: Maksym Tkachenko
24.08.2026 17:02Dyeing the thread: three batches, two failures
A natural dye gave different shades on two batches of wool — and it shows in the finished work.
Read moreAuthor: Iryna Bondarenko
24.08.2026 17:02The work that took eleven months to weave
The largest piece in the show is over four square metres and has a single seam.
Read moreAuthor: Dmytro Shevchenko
24.08.2026 17:02Textile Landscapes: embroidery, weaving and appliqué as landscape
Karas Gallery has opened a show in which not a single work is painted.
Read moreAuthor: Olena Koval
24.08.2026 17:02Author: Maksym Tkachenko
The reverse side, shown on purpose
Two works hang away from the wall so the back can be walked around and seen.
READ FULL STORY →
24.08.2026 17:02Author: Iryna Bondarenko
Dyeing the thread: three batches, two failures
A natural dye gave different shades on two batches of wool — and it shows in the finished work.
READ FULL STORY →
24.08.2026 17:02Author: Dmytro Shevchenko
The work that took eleven months to weave
The largest piece in the show is over four square metres and has a single seam.
READ FULL STORY →
24.08.2026 17:02Author: Olena Koval
Textile Landscapes: embroidery, weaving and appliqué as landscape
Karas Gallery has opened a show in which not a single work is painted.
READ FULL STORY →
